Review: Casanova, The Lowry

nbd-5-ch-min

Photo: Guy Farrow, Emma Kauldhar, Caroline Holden, Justin Slee

Casanova by Northern Ballet & Kenneth Tindall

The Lowry, Salford [03.05.17]

Opulent smoke and a procession of six figures travel with intent across the stage, surrounded by three towering ornate pillars. Then, six hooded men appear and engage in energised and powerful physicality that has you leaning in just to be ever more captivated by a sweeping array of small intricate to grand dominating movements. This ensemble give us a flavour of the beauty that is to unfold before us.

Casanova has become the social pseudonym of the womanisers and sex addicts of the modern world. But, Northern Ballet’s Casanova crafted by Kenneth Tindall invites us to take a look through a magnifying glass at an intricate and captivating narrative of the man behind the debauchery. This elegant, full length work inspired by Casanova’s memoirs explores the power, anguish, knowledge and of course, sex that dominated his many lives and delivers a vulnerable unveiling of who the real Casanova was.

On a mesmerising journey from Venice to Versailles, we see Casanova’s many versions of himself as an alchemist, violinist, writer and cleric. Among these pursuits, we see him tempt and be tempted by an array of women and take a particular fancy to a woman who has disguised herself as a man. This one is different. This becomes less about sex and more about passion and feeling.

The ensemble move with intent, diligence and passion, leaving it near impossible for you to take in everything that is happening simultaneously. The movements are captivating and give onlookers a true appreciation for the potential and possibilities of the human body. Each element is flawless in its execution and every dancer gives a distinct emotional performance to depict their character. Tableaux and trio performances convey ritualistic and sexual intent with both a tasteful and truthful aesthetic.

Christopher Oram’s awe-inspiring costume design transport us to the 1700’s in a spectacular masquerade of exquisite fabrics and silhouettes. The moving nature of the set allows us to journey with Casanova to his differing residencies and gives this tale a natural meander. But, it is the three pillars illuminated by Alastair West’s lighting design that really take this production from the Lyric Theatre stage to an entire world of its own. We see the dancers reflections on the speckled mirrored panes and the fluidity of their movements paints the most beautiful caricatures onto these panels. It is this haze of colours alongside this passionate tale that truly take us into the realm of Giacomo Casanova.

Verdict: Words cannot do this stunning production justice: this is a dance to be seen and experienced. Truly exceptional.

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