Heads Up, HOME

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Heads Up by Kieran Hurley

HOME, Manchester [19.05.17]

Kieran Hurley’s Heads Up is an end of the world storytelling sesh that, at times, resembles the sorts of stories you hear from people sat in Chicken Hut after a night on the lash in the toon. Except this didn’t have the “must keep talking about it” quality that late nights in Chicken Hut do.

Whilst Hurley is clearly a very talented actor and vocalist with the ability to use small and subtle movements to give the performance an urgent physicality, the story itself lacked legs. Either that or it had too many legs that, when lined up, unfortunately tumbled like a house of cards caught in a gust of wind. The four narratives that were delivered to us were rather far fetched, but nonetheless had some important home truths (that are possibly humbling when the world is about to end) and at times, were funny. However, the stories were so jumbled that they didn’t really get off the ground and the linking points between them were too obvious at points.

I appreciate shows that do not crave a set in order to make their world exist and was impressed by Hurley’s ability to provide his continued presence, vocal range and physicality whilst engaging in a live form of play with sound effects. But, and this is a very big but, the lighting of this piece was atrocious. And, I’m not saying that to be harsh but, because at points, I had to sit with my eyes closed for a moment to counteract the pain in my eyes caused by the lighting. The stage was in darkness with Hurley in the centre barely illuminated. It is clear that the thought behind this lighting choice was to create a feeling of tension and urgency. However, there is a difference between giving your audience the feeling of tension and actually causing tension in their eyes. This piece of theatre was not accessible for individuals with sensory difficulties and I believe these staging decisions cut off a potential audience and hindered some of the audience who did attend.

Verdict: Heads Up has the potential to be something great – Hurley is a skilled performer and storyteller and, the stories of this piece have some interesting elements. However, this was a physically uncomfortable experience that I wouldn’t want to have again. Though, I would be interested to see a relaxed performance of this piece to see how much of an influence the poor conditions had on my experience of the narrative.

 

 

NB Having spoken to other attendees at this performance, it is clear that where you were seated really influenced your sensory experience of the show.

 

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